You can’t be in Antigua long before you hear the sound of church bells.
They are a form of communication in many Guatemalan villages, to indicate
the hours of Mass, to accompany a funeral procession, to celebrate church
festivals or to announce any special news. In the city of Antigua, there
are more than 36 bells.
I lived in Antigua from June, 1971 until September, 1972, and the echo
of nearby church bells filled our house and courtyard daily. Wanting to
know more about the bells and their history, I decided to study them.
Within several months, I had climbed up into the belfries of 32 churches,
recorded bell measurements and inscriptions and made rubbings for the
documentation of 122 bells in the Department of Sacatepequez.
Now, 28 years later, having retired from my career as an epidemiolgist
and professor of Public Health, I have compiled the information into a
book, Church Bells of Antigua and Surrounding Villages. The book,
published in both English and Spanish, is my effort to preserve this
region’s unique history through the inscriptions on the bells, much of it
seen by only the few who climb into the belfries.
The art of casting bells is a specialty of only a few blacksmiths.
There are 21 different names on the 122 bells studied. Two bells were
imported, from London and Spain. There are three main Guatemalan families
of fundidores, bell makers: Klee, Vassaux and Goméz.
The oldest bell of the region is dated 1681 and rings from the church
in Santo Tomas Milpas Altas. There is no indication of the bell maker. The
inscription has two bands of lettering, "ME FVNDIERON EN ESTE PVEBLO DE
SANTO TOMAS APOSTOL AÑO DE MIL SEISCIENTOS 81" (They made me in this
town of Santo Tomas Apostle Year of 1681.)
The next oldest bell was made 45 years later. It's dated 1726 and
graces the small church located in Santiago Zamora. Nearby, at the church
of Santa Catarina Barahona, is a bell that carries the date 1737.
The oldest bell in the city of Antigua is located at the church of San
Francisco. The date inscribed is 1754, and it is the largest bell in the
area, measuring 50 inches in diameter. This bell was made by Tomás Roames
who also made two of the bells in the church at Santa Maria de Jesus.
The book includes a document, written in 1802, describing the
correspondence via Havana to the Pope regarding excessive abuse of the
ringing of bells in Guatemala.
It is intolerable to Christians, this general racket of the
bells; because of which, the peace and serenity of the healthy is
disturbed, the quietness which the ill require is miserably
offended, the minds of each and every person, instead of being
stimulated and taking refuge in devotion, are dulled. Bell-ringing,
which formerly was done by priests in imitation of the sons of
Aaron, whom in the ancient law God entrusted to sound the trumpet to
gather together the Hebrew people, now, we are seeing it pitifully
transferred to young lads, and the common people, who play games
with the bells; now striving to imitate profane sounds, and now
disturbing the communities with indecent signals from the bell
towers.
The artwork on many of the bells shows the true craftsmanship involved
in casting a bell. And the inscriptions of the bells reveal history
preserved. One bell you can see up close, is in the Museo de Arte
Colonial, Antigua University of San Carlos. This bell is from the ruins of
the San Gaspar Church, and made by Jose Ricardo Pellecer. This unique
cross with two legs is found only on the bells made by Pellecer.
Soi de la Iglesia de Sn Gaspar Bibar
Por Jose Ricardo
Pellecer
año de 1845
I belong to the Church of San Gaspar Bibar
By Jose
Ricardo Pellecer
Year of 1845
There was a major earthquake since the time of my 1972 study, and some
of the bells were damaged. If the church or belfry had to be re-built, the
same bells, even with cracks, have been rehung, and are still being used
today.